Month of Performance Art Berlin 2012- Haase & Plankk Appearance

*Month of Performance Art Berlin 2012*
FocusDiversion3.0
11.05.2012 // 11th of May 2012

KünstlerInnen/ Artists:
Karen Haase (performance)
Miriam Wuttke (performance)
Petrov Ahner (performance photography)

And as special guest: A Short Term Effect (sound)

!!!SPECIAL HAASE & PLANKK APPEARANCE!!!
With the support of the dark poetic powers of sound artist A Short Term Effect, Karen Haase and Miriam Wuttke aka Haase&Plankk, Berlin performance duo since 2007, are going to make this evening another unforgettable multidisciplinary performance event!
Haase & Plankk are also going to show photographs of live and staged performance work in collaboration with Petrov Ahner, who has been documenting the performers as solo artists or as the duo since April 2010.


Haase&Plankk:
…”We dont really know what we are gonna do- but we gonna give it all.”…

Text Haase&Plankk Solo Show 2010/11:

Haase&Plankk: Berliner Künstlerinnen-Duo, Performance-Doppel, Installations-Zweifaltigkeit. Seit drei Jahren arbeiten sie regelmäßig zusammen, furios und faszinierend, zart und rücksichtslos, heiter bis wolkig. Ihre Bilder, auch ihre Raum- und Körperbilder speisen sich aus der Spontaneität, aus den Einfällen, die sie sich gönnen und die ihre Arbeiten in eine zuvor nicht bestimmbare Entwicklung treiben. Das kann sehr komisch sein, verleugnet aber auch nie das eigene Leiden. Sie wissen, dass die Welt seit jeher in Scherben liegt. Haase&Plankk sind Existenzialistinnen im bunten Kostüm.

English version:

Haase&Plankk: artist couple, performance duo, installation duality. Since three years the Berlin based women have been working together continuously: furious and fascinating, tender and ruthless, bright or overcast. Their images and figures derive from curbed spontaneity, unspoiled perspectives and indeterminable changes, which may be comic but never miss the feeling of suffering and loss in life. Haase&Plankk are existentialists in a fancy costume.

Text: Holger Wild

Ort/ Location:
Silver Silver Lopez, StudioGalerie Miriam Wuttke,
Weichselstr 53, 12045 Berlin

Zeitrahmen/ Time frame:
20:30 bis 23:00 Uhr/ 8:30 pm to 11 pm

Presented by Our Time NYC- Berlin http://ourtimenycberlin.wordpress.com/
in collaboration with Month of Performance Art Berlin
http://www.mpa-b.org/about.html

Artist Links:
Karen Haase http://www.haase-plankk.com/haase
Miriam Wuttke http://miriamwuttke.de/
A Short Term Effect http://www.wix.com/albertopicciau/a-short-term
Petrov Ahner http://petrovahner.net/

You are very Welcome!

The MONTH OF PERFORMANCE ART is a month-long and citywide platform dedicated to highlighting, promoting and interconnecting the wealth and diversity of independent, contemporary and experimental Performance Art practices thriving in BERLIN. The only Performance Art project of its kind in Germany and beyond, MPA-B reflects the creative force injected by autonomous cultural players into the city’s Performance Art scene with an eclectic programme of indoor and outdoor performances, workshops, lectures, actions, site-specific interventions, talks, screenings, experimental music and unique audience encounters and interactions.

Programme of the 11th of May/ Programm am 11. Mai 2012:
http://www.mpa-b.org/may11.html

photos by Petrov Ahner 2012 all rights reserved

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Hausschlachtung – Home Slaughtering

Hausschlachtung / Home Slaughtering
Performance and installation series from January to May 2012

Hausschlachtung 1
Performance and Installation
Goldener Saal / Kunsthaus Tacheles, Berlin
Tacheles Biennale 2012
In collaboration with Orvar (sound)

Hausschlachtung 2
Performance and Installation
Silver Silver Lopez, Berlin
In collaboration with Petrov Ahner (photography), Sandra Becker (textile installation) and A Short Term Effect (sound)

Burning for CAM Art War
Performance on the field
Somewhere in Europe
In collaboration with Kunsthaus Tacheles and Casoria Contemporary Art Museum

Hausschlachtung 3
Performance and Installation
Kreuzberg Pavillon, Berlin
In collaboration with Alexander Rodin (painting) and Mitrich (performance)

Thanks to:
Petrov Ahner, Linda Cerna, Martin Reiter,
Barbara Fragogna, Alexander Rodin, Michael Wuttke

Hausschlachtung 3- Home Slaughtering 3

Hausschlachtung 3
Performance&Installation

May 3rd- May 6th 2012
Kreuzberg Pavillon
Skalitzer Str 86-91
Aufgang C

Miriam  Wuttke (aka Silver Silver) performs in her site specific installation
In collaboration with Alexander Rodin and Mitrich
In reference to the occurences at Arthouse Tacheles in January of 2012
And the deliberate destruction of paintings of Alexander Rodin
By security guards hired by the lawyers of HSH Northbank

links:
Kreuzberg Pavillon
Kritikdesign/ ARTHOUSE TACHELES
http://bpigs.com/spaces/kreuzberg-pavillon


Miriam Wuttke/ Home Slaughtering 1/ Photo by Petrov Ahner

Dress to kill. Burning for CAM. Performance by Miriam Wuttke.

DRESS TO KILL. BURNING FOR CAM.
april 26 2012 – 5:30 pm

Performance on the field
by Miriam Wuttke
as part of the series Hausschlachtung / home slaughtering
supporting CAM Italy & Arthouse Tacheles Art War

sacrificial burning
1 heart of a lamb
9 potatos
3 watercolors

more information:
ARTINFO.COM

http://oe1.orf.at/artikel/303072
http://kritikdesign.blogspot.de/2012/04/cam-art-war-bilderverbrennung-zu-berlin.html
http://miriamwuttke.de/?p=646
http://miriamwuttke.de/?p=181

statement:
DIE FREIHEIT IST IMMER AUF DER FLUCHT
miriam wuttke. dress to kill. burning for cam. watercolor with the blood of a red beet on handcrafted 600g watercolor paper.
25 x 35 cm. april 24th 2012.
to be burned by barbara fragogna, curator of arthouse tacheles berlin,
on april 26, 5.30 pm in front of kunsthaus tacheles berlin.

EVENT ON FACEBOOK

Artist Statement:

As governmental measures become more drastic facing a federal and global “crisis” under the pressure of how to preserve a status quo for the ones in a higher established position, one must ask how far does he or she will go and what direction to chose in a not only responsive but rather active standing.
This is a dynamic and very difficult question.
As stated in one of the comments on Alan Bambergers post on his FaceBook Wall, that “Napoli had other problems (more serious than the ones Antonio Manfredi has)…” or words to that effect, shows how far the angst of a global break down/ existential crisis has pushed people to a conservative and self-contained position.
I am asking myself of how aware I am of these conservative movements in society and if I take them serious enough.
To come to the point of burning art work of a museum collection, one, in this case Antonio Manfredi, obviously must have had a long run of going through energy-sapping fights, disappointments, dispair and hopelessness.
The ones (in this case art consultant Alan Bamberger) who shrug off this measure as a cheap political stunt in the blink of an eye, not knowing the backgrounds, the dynamics, proceedings and local conditions, reflect an unaffected apathy that shocks me the more knowing of their position and standing that displays them as experts and luminaries in their field.
This apathy would be rather sad if it was not worrying.
To partake in the action of a sacrificial burning of a piece of art means to take a stand and (once again) push a discussion about how art is treated as a product or merchandise and in what unfavorable position the artist is as its mere functional manufacurer, trying to balance between the “rules” of an established market and the freedom of expression, developing and handeling ones own artistic work.
Burning a piece of art is not easy.
It is a significant step to open up an inner dispute that we all have to go through to find a strong stance in a time of uncertrainty and spinelessness.
I know of Antonio Manfredis work  as a contemporary art museum director in Napoli, and I admire his strength, his courage and his radicalism in consideration of the onerous conditions he works with on an every day base.
His action is worth to be supported or at least thought about and discussed thourough.
Miriam Wuttke, April 25 2012
image:
dress to kill. burning for cam. “two kidneys for barbara and floating potatos”. april 25 2012.
to be burned on the field april 26 2012 5:30 pm.
elderberry juice on handcrafted 600g watercolor paper, fabric ribbon. 2x 13x 21,5 cm.

Month of Performance Art Berlin 2012

With her non profit organization Our Time NYC- Berlin
Miriam Wuttke is proud to present two performance events during the festival

Month of Performance Art Berlin 2012

|| MONTH OF PERFORMANCE ART – BERLIN / MAY || Programme 2012 ||                 

DIVE INTO THE RICH AND DIVERSE WORLD OF PERFORMANCE ART IN BERLIN!
This is the MPA-B 2012 programme presenting over 100 different projects at 65 locations citywide, and featuring innovative and experimental work by hundreds of artists, curators, producers, networks, organisations and initiatives from Berlin and around the worldThis calendar was created to give you a quick overview of how busy this May is going to be, and to help you plan your MPA-B experience in the best possible way. For a full programme listing divided by day, simply click on the number of the day of the month.

PROGRAMME OF MPA-B

FocusDiversion3.0
May 11th 2012
8:30- 10 pm
Silver Silver Lopez
Weichselstrasse 53
Berlin Neukölln

FocusDiversion4.0
May 30th 2012
8- 10:30 pm
Goldener Saal
Kunsthaus Tacheles
Oranienburger Str 54-56a
Berlin Mitte

Further information about events and partaking artists soon

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Hausschlachtung 2- Home Slaugthering 2

HAUSSCHLACHTUNG 2- Home Slaughtering 2
Performance and Installation by Miriam Wuttke in reference to the series
Dress to kill- HOME LAND LUXURY
During the art & culture event Frühlingserwachen
Mar 24 2012
Silver Silver Lopez
Berlin- Neukölln
In collaboration with OrvarSandra Becker and Petrov Ahner
Soundwork by A Short Term Effect
All photos by Petrov Ahner

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Frühlingserwachen: Hausschlachtung 2

miriam wuttke, animal. photo by petrov ahner, 2011


M a r 24 & 25 2 0 12
Dress to kill
Hausschlachtung
2

during art and culture festival
FRÜHLINGSERWACHEN

“Hausschlachtung: Die Umarmung des Tieres.
Ankunft.
Textur.                      Leere und Inhalt.                             Fragilität, Bewegung.
Das Archaische drängt in den Raum.
One Shot.                      Shell is cracking.
         Braking the surface.”

Installation & Performance & Sound
Miriam Wuttke, Petrov Ahner, Sandra Becker, Orvar & A Short Term Effect
Performance Mar 24 9 pm
Event on Artslant: Click

Event on Reuterkiez/Organizer: Click

No 31

————–:————-
Silver Silver Lopez
Studiogalerie Miriam Wuttke
Weichselstrasse 53
12045 Berlin
miriamwuttke@gmail.com

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Hausschlachtung 1 – Home Slaughtering 1

This gallery contains 20 photos.

HAUSSCHLACHTUNG 1- Home Slaughtering 1 Performance and Installation by Miriam Wuttke In reference to the series Dress to kill- HOME LAND LUXURY T.Biennale 2012 Kunsthaus Tacheles Oranienburger Str 54-56a 10117 Berlin “Der fatale Glaube an hierarchische Strukturen macht uns empfänglich für die archaische Angst, der wir im Moment der Konfrontation mit dem Anderen begegnen. Das [...]

Embracing the animal mind- Die Umarmung des Tieres

-One shot-
Dress to kill- Embracing the animal mind 
Photo Series- Miriam Wuttke performance/ photography // Petrov Ahner photography
One year of collaboration in January 2012
Thanks to Petrov Ahner, Agnes Kaplon, Barbara Fragogna, Roman Nowak, Ira Blazejewska, Herbert Holzmann
All rights reserved.

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Die Scholle 3 / Hamburg

Die Scholle 3 is the third part of the 3 part performance series “Die Scholle”/ “The clod” by Miriam Wuttke

 Notion:
“The location at gallery xpon-art was the basement of a former slaughterhouse at Münzviertel in Hamburg. The animal I held in my pocket was the heart of a lamb my turkish butcher in Neukölln wanted me to perform with. Orvar Natur, Berlin based sound artist and emerging visual artist, provided the sound he creates on the base of notes he takes right before the show in his little black magical note book, considering site, space, gestures, textures, concepts and thoughts. His deep and intuitive music carries the expression and embraces my gestures like I embrace the animal mind. It was a sad and mysterious pleasure.”

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